Almost 10 years later, when I set out for a new Yıldız Tilbe concert, it was March 8 and I could not imagine that some metro stations might have been closed by the governor’s decision. Of course, I will also walk from Kabataş to Harbiye…
The gathering of thousands of people in a hall was very meaningful for a “protest” woman on the day when women tried to prevent women from coming together to protest.
I didn’t know when Yıldız Tilbe started her concert with the audience’s intense applause and cheers, but as I later learned from a security guard, she came to the hall at 15:30 and completed all her preparations. This was quite surprising after seeing the bands that started soundchecking 1 hour before the concert.
There was a happy, calm and careless Yıldız Tilbe in front of me that night. Compared to 10 years ago, he seemed more detached from the audience and returned to his own world. Even though there weren’t thousands of people in front of him, he was as comfortable as if he was swinging by himself in the living room of his house. When he extended his microphone to the hall, it was as if he was among everyone at the same time, proud of his songs that were sung uninterruptedly.
Despite all the economic troubles, pandemic conditions, cold weather and war psychology, I think it needs more than good singing to gather thousands of people in a hall. Yıldız Tilbe seemed to have succeeded that night, and I think it was largely due to her own unique behavior for 20 years.